r o s a l i n d   c r i s p

U N W R A P P I N G   D  A  N  S  E

a  p e r f o r m e d - d a n c e - l e c t u r e

duration: 40 – 50 min
video by eric pellet/le fresnoy

a partial lecture about a partial history 
an unfinished  d a n s e  by a saturated body
an ongoing practice… exposed

what holds up when the wrapping is gone? is there a leg to stand on once the shining sheen of performance paraphernalia is rubbed out? what was there anyway, before it got stitched up?

in a performed-dance-discussion rosalind crisp dances and talks about what she is doing, exposing some aspects of her continually evolving practice around the project d an s e .

d a n s e  is a modality of work that rosalind crisp has been developing between australia and france since 2005. it is about a way of working with the body and an ensemble of unstable principles which guide the production of movement. these principles are continually transforming, constituting a language that is both rigorously identifiable and constantly mutating. 

the choreography deals with a palette of tools to produce movement from any part of the body at any time. the practice is about assimilating these tools until the dancer’s attention is on the continual process of noticing how movements are forming.

in a studio with olivia millard and jo pollitt in perth in 2005, rosalind captured the first attention scores of this choreographic process that has led her to her body of work as a mature artist. through her ongoing studio-based research and in collaboration with artists in australia and europe, (lizzie thomson, céline debyer, max fossati, andreas müller, andrew morrish, writer isabelle ginot) the d a n s e project evolves, giving rise to numerous performance works (dance 2005, danse (1) 2006, danse (4) 2008, no-one will tell us… 2010, ≠espèces 2011, danse (3) 2013) and a training methodology for dancer/choreographers. 

unwrapping d a n s e  has been developed with the support of residencies at: 
tasdance, tasmania, 2012
orbost mechanics institute, victoria, 2013
tanzfabrik, berlin, 2013
atelier de paris-carolyn carlson, paris, 2013

unwrapping d a n s e  has so far been presented in:
launceston, tasmania, 2012
poznan, poland, 2013
oslo, denmark, 2013
berlin, germany, 2013
cornwall, england, 2013
stockholm, sweden, 2013 

http://www.omeodance.com/ 

pikkus: 40` – 50`

osaline loeng osalisest ajaloost

küllastunud keha lõpetama tants

lõppematu praktiseerimine...paljastatult

mis hoiab meid püsti, kui kest kaob? Kui etenduse sära on lõpuks tuhmunud, kas on siis alles jalg, millel seista? Mis oli üldse seal enne?

käesolevas tants-arutelus rosalind crisp tantsib ja räägib, mida ta parasjagu teeb, paljastades mõningaid aspekte oma lõputult areneva projekt d a n s e juures.

d a n s e on projekt, mida rosalind crisp on arendanud alates aastast 2005 austraalias ja prantsusmaal. See räägib tööst kehaga ning ebastabiilsetest põhimõtetest, mis suunavad liikumise produtseerimist. Need põhimõtted muutuvad pidevalt, moodustades keelt, mis on samal ajal rangelt identsifitseeritavad ning pidevalt muutuv.

koreograafia tegeleb tööriistade valikuga tekitamaks liikumist ükskõik millisest kehaosast ükskõik mis hetkel. töö eesmärk on kasutada neid tööriistu kuni tantsija paneb pidevalt/jätkuvalt tähele liigutuste vormumist.

koos olivia millard´i ja jo pollitt´iga 2005 perthis stuudios tegutsedes sai alguse projekt, mis siiani kestab ja areneb. Töö on andnud aluse mitmele etendusele: (dance 2005, danse (1) 2006, danse (4) 2008, No-one will tell us… 2010, ≠espèces 2011, danse (3) 2013) ja treeningmetoodika dancer/choreographers. 

lisainformatsioon: 

http://www.omeodance.com/